“...a charming tongue-in-cheek extravaganza with music and clever lyrics to over a dozen songs that offers a cute, fun-filled show.” Elaine Mura, Splash Magazine
“Thank you, Group Rep, for yet another wonderfully memorable musical extravaganza. Absolutely fabulous!! Bravo!! ” Samantha Simmonds-Ronceros, NoHo Arts Dsitrict.com
“...an excitedly crafted production with a creative way to allow audience participation. ...the musical numbers add a whimsical tone to the play. The actors get a chance to shine with their voices and dance moves. ...an appealing musical that is fun and lively.” Joe Mosqueda, Glamical.com
You Can't Take It With You
Hi Friends, excellent review from Broadwayworld.com. I even got a picture. What fun it was playing Duchess Olga Katrina!!
Thanks to all my friends who came and supported!!
“You Can't Take It With You...a sold-out, smash hit run of the beloved classic comedy by the award-winning Group Rep at the Lonny Chapman”
Amanda Callas, Broadway World, LA
Thank you to everyone who came to see me in my show SEPARATE TABLES as the saucy, cockney waitress wench, DOREEN.
It was a fantastic show and a great experience to work with such an incredible cast.
See some of our reviews below!
Here's what Broadway World, LA had to say about “Separate Tables”
“Suzan Solomon is outstanding as the cheeky waitress, Doreen.” Don Grigware, Broadway World, LA
“Suzan Solomon is delicious as the know it all waitress, Doreen, who knows all of the residents’ habits to the core.”
“...and the dynamic cast are all equally outstanding! As for Theatre 40, this is another feather in their uber attractive cap!” Don Grigware, Broadway World, LA
“A proven actors’ director, Jules Aaron elicits solid turns from all his performers.”
“Jeff G. Rack’s set and Michéle Young’s period costumes are exquisitely realized.” F. Kathleen Foley - The Los Angeles Times
Here's what LA had to say about "The Yentas Wear Red Hats"
“Suzan Solomon’s hot to trot Trudi animates every scene she appears in.”
Mary Mallory, The Toluca Times
"The Yentas Wear Red Hats"
“Suzan Solomon (Trudi) just about runs away with the play. Her vivacious, radiant and convincing turn proves that the Off-Broadway veteran has much more of her talent left to share with theatre audiences. The longtime singer-actress of such hit films as “Saturday Night Fever” just about takes over Act One and lets her stage presence and boundless energy guide her throughout.”
“This show itself is a gem, and holds the promise that it will go far within the theater world.”
“It’s recommended that one experiences this program on an intimate stage setting.”
“This show is highly recommended!” - Rich Borowy, Accessibly Live Off-Line (Vol. 21-No. 4-Week of January 25th, 2016)
“The entire cast was excellent with Suzan Soloman as Rachel giving a stand-out performance.” - Ron Irwin,Tolucan Times
“Pillars of New York” is smart, witty, bold and relatable. Noteworthy are the vocals with Suzan Solomon as a perfect NY Mom. I loved the music, and relating as a mother to Rachel's (Suzan Solomon) solo. -Dianne Williams, NoHoArtsDistrict.com
“Pillars of New York” is a noble idea...especially on the score’s standout title number. Rob Stevens, HainesHisWay.com
“Praise as well to... Suzan Solomon who completes the winning ensemble.”
-Don Grigware, Broadway World.com
“Some of LA's most talented triple threats.” -Steven Stanley, Stage Scene LA
“Exuberant, cheeky and often touching.” -Musicals in LA
“Also terrific in the cast are Suzan Solomon as secretary Lois - you know, the bossy but friendly type, a yenta with a Brooklyn accent.” -Don Grigware, Broadway World.com
“...and the classic secretary (Lois) who ties up any loose ends the cast left out with a line stealing performance by actress Suzan Solomon” -Anthony McBride, Valley Scene Magazine
“Suzan Solomon as the medium in Act I also merges brass and pathos as “Glory Day’s” atheist aunt” -David Nichols, LA Times Theatre Beat
“Suzan Solomon offers first rate comic relief as a daffy medium and shines as a cynical atheist socialist, making the most of two of the show's best numbers.”
-Les Spindle, Backstage.com